| ILS-531
Indexing & abstracting |
©2005
Amy Proni and Susanna Cowan |
| Abstract analysis |
Main index |
| Special project: index for NCAW |
Thesaurus review |
| Notes on presentation | ||||
| Combined index |
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| Index: Smalls |
Index: Floyd |
Index: Brzyski |
Index: Menon |
Index: van der Plaat |
Individual indexes for each article. These individual indexes are intended to make our index usable. Although we have yet to hear back from the editor of Nineteenth-Century Art Worldwide, we still have hopes that she will respond and express interest in the work we have done. These individual indexes could be “attached” to each article for the use of journal readers and wouldn’t require the publisher to create a full-fledged online index for the entire journal. Our aim in providing two formats is to provide the greatest flexibility for the potential use of this index. Whereas the cumulative index can be viewed as a stand-alone object; the individual indexes can be viewed as guides intended to be used with particular articles.
| The
following index is for the article by Deborah van der Plaat: The
Significance of the “temple idea” in William Lethaby’s Architecture,
Mysticism and Myth (1891). (NCAW, vol. 3, no. 1, article 5). Note: index “page” numbers are actually references to paragraphs, as each article is composed of consecutively arranged paragraphs. A Architectural Association Notes review of Architecture, Nature and Magic, 5 Architecture and Myth (Lethaby), 32 Architecture as Process, Implications for a Methodology of History and Criticism (Vestal Brown), 8 Architecture, Mysticism and Myth (Lethaby), 1–2, 3, 7–23 [illustration] [title page] (fig. 1), 1 objective of the work, 24–27 revised, 5 Architecture, Mysticism and Myth and its influence (Holder), 6 Architecture, Nature and Magic (Lethaby), 5 Arnold or Ruskin? (Davis), 54 art critics Ruskin, John, 32 B British Architect, The review of Architecture, Nature and Magic, 5 Brown, W.L., Rev. correspondence from Ruskin, 33 Builder, The published revision of Architecture, Mysticism and Myth, 3–5 review of Architecture, Nature and Magic, 5 C Coleridge, Samuel Taylor, 7 on Imagination, 35–39, 41–43, 49 on Imagination and Fancy, 35. see also Ruskin, John. Cosmological thinking “known” and “imagined” facts of the universe, 10, 15, 22–28 “known” facts of the universe cosmological myths, 16–17 relative world view, 19–20 D Davis, Philipa Arnold or Ruskin?, 54 De la Saussaye influence on Lethaby, 30 De Man, Paul Rhetoric of Temporality, The, 44–45 G Garnham, Trevor views on Lethaby, 6–7, 8–9 William Lethaby and the Problem of Style in late Nineteenth Century English Architecture, 6 Golgonooza on the Grand Canal:Ruskin’s Stones of Venice and the Romantic Imagination (Gurewitsch), 39 Gurewitsch, Susan Golgonooza on the Grand Canal: Ruskin’s Stones of Venice and the Romantic Imagination, 39 H Holder, Julian Architecture, Mysticism and Myth and its influence, 6 L Lang, Andrew Myth, Ritual and Religion, 32 |
Lethaby,
William Richard “temple idea”, 1–2, 10, 11–16, 28, 30–31, 56, 57–59 “temple idea” and De la Saussaye, 30 archives. See Saint Martin’s Art and Design Archive, London influences Rig Vega, 23 Ruskin, 1, 7–9, 56 Spencer, 17 philosophical uncertainty, 3–6 universality of “imagined” facts, 24–27 Works Architecture and Myth, 32 Architecture, Mysticism and Myth, 1, 7–23, 57, 59 Architecture, Mysticism and Myth, [illustration] [title page] (fig. 1), 1 Architecture, Mysticism and Myth: objective of the work, 24–27 Architecture, Nature and Magic: reviews, 5 Architecture, Nature and Magic; revision of Architecture, Mysticism and Myth, 3 What Shall we call Beautiful, 58–59 Life and Work of William Richard Lethaby, The (Rubens), 6 M Modern Painters (Ruskin), 33, 39–40, 49–53 Myth, Ritual and Religion (Lang), 32 R Rhetoric of Temporality, The (De Man), 44–45 Rig Veda influence on Lethaby, 23 Romantic theory of the Imagination, 35–39 Rubens, Godfrey Life and Work of William Richard Lethaby, The, 6 William Richard Lethaby, His Life and Works 1857-1931, 9 Ruskin on the Imagination (Sprinker), 46–47, 49 Ruskin, John, 57 correspondence to Brown, 33–34 influence on Lethaby, 1, 7–9 on Imagination, 49 on Imagination and Fancy, 32–37. see also Coleridge, Samuel Taylor paradoxical thinking, 54–56 role of the artefact, 50 Works Modern Painters, vol. 2, 33, 39 Modern Painters, vol. 4, 39–40 Modern Painters, vol. 5, 49–53 Stones of Venice, vol. 1-3, 33, 39 Three Colours of Pre-Raphaelistism, The, 49 S Saint Martin’s Art and Design Archive, London, 32 Spencer, Herbert, 27 influence on Lethaby, 17 Sprinker, Michael Ruskin on the Imagination, 46–47, 49 Stones of Venice (Ruskin), 33, 39 T Three Colours of Pre-Raphaelitism, The (Ruskin), 49 Times review of Architecture, Nature and Magic, 5 V van der Plaat, Deborah Significance of the “temple idea” in William Lethaby’s Architecture, Mysticism and Myth (1891), The, 1–59 Vestal Brown, Charlotte Architecture as Process, Implications for a Methodology of History and Criticism, 8 views on Lethaby, 8–9 W William Lethaby and the Problem of Style in late Nineteenth Century English Architecture (Garnham), 6 William Richard Lethaby, His Life and Works (Rubens), 9 |