| ILS-531
Indexing & abstracting |
©2005-2007
Amy Ranger and Susanna Cowan |
| Abstract analysis |
Main index |
| Special project: index for NCAW |
Thesaurus review |
Traditional studies of nineteenth-century art [have] been narrowly framed within national boundaries. This is true despite the overwhelming evidence of artists’ travel…and despite the face that the world’s fairs and even national exhibitions attracted broad international participation and were attended by equally multinational audiences.(2)The second main focus of the journal is exhibitions (the Parisian “salons,” for example) as historically significant points of contact between artists of divergent traditions, both national and artistic. This theme was certainly borne out in the five articles we used for this index.
1. A compiled index representing index terms from all of the principal articles in the e-journal. This format takes the articles cumulatively. In this regard, this compiled index is very like the periodic indexes produced by print journal publishers covering a specific span of years of the journal. Were this index online, it would serve as the model for a unified index that enables hyperlinking from specific main entries and sub-entries to specific locations (or entire articles) within the e-journal.Our compiled index is followed by:
2. Individual indexes for each article. These individual indexes are intended to make our index usable. Although we have yet to hear back from the editor of Nineteenth-Century Art Worldwide, we still have hopes that she will respond and express interest in the work we have done. These individual indexes could be “attached” to each article for the use of journal readers and wouldn’t require the publisher to create a full-fledged online index for the entire journal. Our aim in providing two formats is to provide the greatest flexibility for the potential use of this index. The cumulative index can be viewed as a stand-alone object; the individual indexes can be viewed as guides intended to be used with particular articles.
| The
following
combined index (pages 1-10) covers the five major articles by James
Smalls, Phyllis A. Floyd, Anna Brzyski, Elizabeth K. Menon, and Deborah
van der Plaat that appeared in Volume 3, Issue 1 of Nineteenth-Century
Art Worldwide. Individual indexes for each article begin on page
[11]. Note: index “page” numbers are actually references to
paragraphs, as each article is composed of consecutively arranged
paragraphs. abolitionists, French, 30. See also Société des Amis des Noirs; slavery abortion and fetus motif, 152, 154, 156, 163, 172, 176, 182 Académie Royale de Peinture et de Sculpture (Paris), 20 women’s admittance to, 18 Academy Française. See Académie Royale de Peinture et de Sculpture Actualités, plate (by Vernier?) [illustration] (fig. 10)., 94 aestheticism in contrast to the political, 11 politics of, 63 Africa (Delaplanche), 36 Africa (Delaplanche) [illustration] (fig. 6), 36 Africanism. See race: exoticization of Afrique, or Why Be Born a Slave? (Carpeaux), 36 Afrique, or Why Be Born a Slave? (Carpeaux) [illustration] (fig. 5), 36 alcoholism, 167 and fetus motif, 168, 183 allegory. See under body (female); gender; race; portraits; slavery Alston, David, 79 Altenberg, H. (Lvov) publisher, Polish Art (Sztuka Polska), 107 Amazons, 38. See also body (female) Ambès, baron d’, pseud., 95 Ancien Chat Noir, 165, 167 Anczyc, W.L., & Co. printer, Polish Art (Sztuka Polska), 107 Angiviller, Charles Claude de La Billarderie, comte d’, 18 director, Académie Royale de Peinture et de Sculpture (Paris), 18 Architectural Association Notes review of Architecture, Nature and Magic, 188 Architecture and Myth (Lethaby), 215 Architecture as Process, Implications for a Methodology of History and Criticism (Vestal Brown), 191 Architecture, Mysticism and Myth (Lethaby), 184–85, 186, 190–206 [illustration] [title page] (fig. 1), 184 objective of the work, 207–10 revised, 188 |
Architecture,
Mysticism and Myth and its influence (Holder), 189 Architecture, Nature and Magic (Lethaby), 188 Arnold or Ruskin? (Davis), 237 Arouet, François-Marie. See Voltaire art critics and canonical art, 151 Boutard, Jean-Baptiste: on Benoist, 14 Cybulski, Adam Łada: and Polish Art (Sztuka Polska), 107 disparage Beardsley, 173 Esménard, Joseph-Etienne: on Benoist, 22 Fry, Roger, 151 Jasieński, Feliks: and Polish Art (Sztuka Polska), 107 Jellenta, Cezary, 131 Neergaard, Bruun: on Leroulx-Delaville (Benoist), 22 Piątkowski, Henryk, 131 praise Portrait d’une négresse (Benoist), 7 Roger-Milès, Léon: on Somm, 165 Ruskin, John, 215 Thévenin, Charles: on Benoist, 14 Witkiewicz, Stanisław, 131 Art, British. 19th century France, 152, 173, 174, 177, 178 Art, European. 19th century, 111 standard reprensentation of blacks, 7 Art, French. See also Sculpture, French; Painting, French; Painters, French; women artists; women painters exhibitions, 65, 67, 68. See also Salons (art) Exposition de la Jeunesse (Paris), 19–20 Art, French. 19th century, 122, 152, 164–65, 174, 177 market-driven system, 122 misogyny depicted in, 165 Art, French. 20th century, 126 Art, German. 19th century France, 174 Art, Norwegian. 19th century France, 152, 173, 177, 179–81 Art, Norwegian. 20th century France, 152, 173, 177 Art, Polish, 107. See also Painters, Polish; Painting, Polish Art, Polish. 19th century, 107, 109, 116, 122–23, 126, 127, 138, 144, 150 exhibitions International Art Exhibition, Munich, Germany, 128 Louisiana Purchase Exposition, St. Louis, Missouri, United States, 128 Lvov, Poland, 110 National Museum, Krakow, Poland, 113 Palace of Art, Poland, 113 market reflects nationalistic ideals, 122 |
| Art,
Polish. 20th century, 109, 116, 136, 144 exhibitions International Art Exhibition, Munich, Germany, 128 Louisiana Purchase Exposition, St. Louis, Missouri, United States, 128 National Museum, Krakow, Poland, 113 Palace of Art, Poland, 113 Art, Rococo, 19, 21, 23 Association of Polish Artists. See Towarzystwo Artystów Polskich “Sztuka” Association of Polish Graphic Artists, 114 Astruc, Zacharie, 93 La fille des îles, 71–73, 91–92 Aubert du Bayet, Jean Baptiste Annibal, 30 Aux mères heureuses (Zola), 155 Avant le bal (Toulmouche), 81 Avant le bal (Toulmouche) [illustration] (fig. 7), 81 Barnum, P. T. (Phineas Taylor), 169 bas-bleu, 161. See also feminist movement Baudelaire, Charles, 65–66, 70, 93 Les fleurs du mal, 78 Baudry, Paul Pearl and the Wave, 102, 106 Beardsley, Aubrey. See Beardsley, Aubrey Vincent Beardsley, Aubrey Vincent and Symbolist, 173 disparaged by London critics, 173 use of fetus motif, 152, 173–78, 183 viewed by Heyd, 174 viewed by Zatlin, 176 Works Incipit Vita Nova, 178 Incipit Vita Nova [illustration] (fig. 12), 177, 178 Lucian’s Strange Creatures, 177 Lucian’s Strange Creatures [illustration] (fig. 11), 177 vignette illustration from Bon Mots of Sydney Smith and R. Brinsley Sheridan, The, 174–76 vignette illustration from Bon Mots of Sydney Smith and R. Brinsley Sheridan, The [illustration] (fig. 10), 174 Beauduin, Jean L’Emancipation de la Femme, 156 L’Emancipation de la Femme, [illustration] (fig. 3), 156 Bellanger, Anna, 101 Bellanger, Marguerite, 106 affair with Napoleon III, 94, 95–100 in art and photographs, 101 pseudonym of Julie Marie Leboeuf. See subject of Manet’s Olympia, 94–102 Belley, Jean Baptiste, 10–11 Benjamin, Walter Work of Art in the Age of Photomechanical Reproduction, The, 117 |
Benoist,
Marie Guilhelmine, 1 background, 5 Benoist, Pierre-Vincent (husband), 5 early works, 7, 19 instructed by David, 19 Leroulx-Delaville, Joseph (uncle), 5 Leroulx-Delaville, René (father), 5 mentored by Vigée-Lebrun, 19 royalist connections, 5 viewed by art critics, 22 Works Clarissa Harlowe at the Archers, 20 Farewell of Psyche, 20 Innocence Between Virtue and Vice, 20 Portrait d’une negresse, 1–64 Portrait d’une negresse [illustration] (fig. 1), 1 Portrait d’une négresse praised by critics, 7 Benoist, Marie-Guillemine. See Benoist, Marie Guilhelmine Benoist, Pierre-Vincent background, 5 Benouville, Léon Esther with Odalisque, 77 Esther with Odalisque [illustration] (fig. 5), 77 Bierman, John Napoleon III and his Carnival Empire, 99 Bing, Siegfried Maison de l’Art Nouveau, Paris, 180 Birth of Venus (Cabanel), 106 Blake, William, 174 Blanc, Chales Histoire des peintres de toutes les écoles, 104 body (female) Amazons, 38 and racism and exoticism, 40 as political allegory, 36–38 eroticism of, 36–39 significance of in painting, 86 thinness, depicted in art, 93, 94 Boizot, Simon-Louis Moi libre aussi (man), 49 Moi libre aussi (man) [illustration] (fig. 9), 49 Moi libre aussi (woman), 49 Moi libre aussi (woman) [illustration] (fig. 10), 49 Bon Mots of Sydney Smith and R. Brinsley Sheridan, The (Beardsley), 174 Bon Mots of Sydney Smith and R. Brinsley Sheridan, The (Beardsley) [illustration] (fig. 10), 174 Bonnat, Léon, 179 Bourget, Paul Physiologie de l’amour moderne, 162 Boutard, Jean-Baptiste, 14, 17, 40 Boznańska, Olga omitted from Polish Art (Sztuka Polska), 150 |
| Brandt,
Józef omitted from Polish Art (Sztuka Polska), 111 Brissot de Warville, J.-P. (Jacques-Pierre), 30 British Architect, The review of Architecture, Nature and Magic, 188 Brombert, Beth, 87 Brown, W.L., Rev. correspondence from Ruskin, 216 Brzyski, Anna Constructing the Canon: The Album Polish Art and the Writing of Modernist Art History of Polish 19th-Century Painting, 107–51 Builder, The published revision of Architecture, Mysticism and Myth, 186–88 review of Architecture, Nature and Magic, 188 Bury, Shirley, 81 Cabanel, Alexandre Birth of Venus, 106 Cachin, Françoise, 86 canonical art (Poland), 107, 111, 116, 126, 131, 144, 148, 150, 151 Caravaggio, Michelangelo Merisi da, 59 Carpeaux, Jean-Baptiste Afrique, or Why Be Born a Slave?, 36 Afrique, or Why Be Born a Slave? [illustration] (fig. 5), 36 Carrier-Belleuse, Albert Marguerite Bellanger [illustration] (fig. 15), 101 Carte de visite de Marguerite Bellanger assise, vêtue d’un costume d’homme (Delton & Co.) [illustration] (fig. 11), 94 cat as image of female sexuality, 78 Ces dames (Vermorel), 75–76, 83–84, 87–88, 93 Charles V, Holy Roman Emperor patron of the arts, 105–6 Chassérieau, Theodore Sleeping Bather, 102 Chesneau, Ernest, 86 Christ Crowned with Thorns (Titian), 105 Citoyen Belley. See Belley, Jean Baptiste Claire Lenoir (Villiers de l’Isle-Adam), 161 Clairet, Alain, 81 Clarendon, George William Frederick Villiers, Earl of, 99 Clarendon, Lord, 99 Clarissa Harlowe at the Archers (Benoist), 20 Clark, T[imothy]. J., 69, 86 class (social). See social classes Classical. See revival: Classical Coleridge, Samuel Taylor, 190 on Imagination, 218–22, 224–26, 232 on Imagination and Fancy, 218. see also Ruskin, John. colonialism, 8–10 |
and feminism. See also race: allegorical use of Condorcet, Jean-Antoine-Nicolas de Caritat, marquis de, 30, 33 Sur l’admission des femmes au droit de cité (On the Admission of Women to Civil Rights), 30 Contemporary Polish Painting (Piątkowski), 131 Contribution à l’étude de la population et de la dépopulation (Turquan), 155 Cosmological thinking “known” and “imagined” facts of the universe, 193, 198, 205–11 “known” facts of the universe cosmological myths, 199–200 relative world view, 202–3 Country (Kraj) reviews of Polish Art (Sztuka Polska), 125 Courrier de France, 158 Couture, Thomas Romans of the Decadence, 102 Cowley, Henry, 99 Crémière, Cédric mummified foetus, 179 mummified foetus [illustration] (fig. 14), 177 Photograph of medical specimen [illustration] (fig. 1), 152 Photograph of medical specimen [illustration] (fig. 2), 154 Cybulski, Adam Łada, 116, 131, 132, 137, 139, 146 and Polish Art (Sztuka Polska), 107, 117, 140 and the Krakow Art Academy, 115 background, 112, 115 d’Antigny, Blanche, 102 David, Jacques-Louis, 1, 19–20, 21–22 influence on women artists, 19–23 instructed Benoist, 19 Portrait of Madame Charle-Louis Trudaine, 20 David, Louis. See David, Jacques-Louis Davis, Philipa Arnold or Ruskin?, 237 de Flahaut de la Billarderie, Charles Claude See Angiviller, Charles Claude de La Billarderie, comte d’, 18 De la Saussaye influence on Lethaby, 213 De Man, Paul Rhetoric of Temporality, The, 227–28 Déclaration des droits de la femme (Declaration of the Rights of Woman) (Gouges), 27 deformity and fetus motif, 152, 153 degeneration and fetus motif, 152, 153, 163, 182 Delacroix, Eugène, 1 Delaplanche, Eugène Africa, 36 Africa [illustration] (fig. 6), 36 |
| Delton
& Co. Carte de visite de Marguerite Bellanger assise, vêtue d’un costume d’homme [illustration] (fig. 11), 94 Marguerite Bellanger [illustration] (fig. 12), 94 photographers of Marguerite Bellanger, 101 demi-mondaine. See prostitutes depopulation and feminist movement, 152, 155, 156, 157–60, 182 and fetus motif, 152, 153 Deraismes, Maria, 159 Dialogics, 9, 60 Dictionnaire des idées reçues (Flaubert), 77 Diderot, Denis, 30 Disderi, A. A. E.. See Disdéri, Andre Adolphe-Eugène Disdéri, Andre Adolphe-Eugène photograph of Marguerite Bellanger [illustration] (fig. 13), 101 Doy, Gen, 40, 54 Draner. See Renard, Jules Dumas, Alexandre, fils La dame aux camélias, 84–85, 89–90, 93, 94 Durand, Marguerite, 159 Duras, Claire de. See Duras, Claire de Durfort, duchesse de Duras, Claire de Durfort, duchesse de, 26 École de Médecine, Paris collection of fetal specimens, 154, 173, 179 Ecole Militaire, 94 Ecstasy, The (Podkowiński), 112 Ecstasy, The (Podkowiński) [illustration] (fig. 2), 112 Edward Scissorhands representation of human abnormalities, 172 Eggum, Arne views on Munch, 180 Ellis, Havelock, 180 embryo in art. See fetus motif: used by artists: Beardsley Enlightenment and women, 161 Esménard, Joseph-Etienne, 22 Esther with Odalisque (Benouville), 77 Esther with Odalisque (Benouville) [illustration] (fig. 5), 77 ethnography, 34, 36, 38 Etudes Photographiques, 75 Eugénie, Empress, consort of Napoleon III, 100 exhibitions (art). Paris. See Salons (art) Exposition de la Jeunesse (Paris), 19, 20. See also Art, French. 19th century: exhibitions; Salons (art) Fałat, Julian director, Krakow Art Academy, 115 director, Krakow School of Fine Arts, 127 family planning, 155, 157–60 |
Farewell
of Psyche (Benoist), 20 Farwell, Beatrice, 69, 102 feminism. See feminist movement feminist movement, 30. See also women and family planning, 159 and fetus motif, 152, 183 artistic representation of, 22, 25–64 France, 4 France and England, 27 France; and backlash, 32 in 19th century France, 25, 26, 54, 155–60, 182 fetal specimens museums and traveling sideshows, 154, 173, 179 fetus motif, 152–60 and abortion, 156 and alcoholism, 168, 183 and feminist movement, 155–60, 183 and femme fatales, 177, 182, 183 and sexual decadence, 180 and virtuous motherhood, 178 and war, 155 as symbol of degeneration, 155, 161, 168, 172, 182 as symbol of depopulation, 155, 182 collection of fetal specimens École de Médecine, Paris, 154 Musée Dupuytren, Paris, 152, 154 Robin, Pierre, 154 Saint-Hilaire, Geoffroy de, 154 in Symbolist art, 164–65 used by artists Beardsley, 173–78 Mossa, 172 Munch, 173, 179, 181 Somm, 165–67 fidelity emblems of in art, 104 Flaubert, Gustave Dictionnaire des idées reçues, 77 Fleischmann, Hector Napoleon III and the Women he Loved, 95–96 flowers significance of in paintings, 82–83 Floyd, Phylis A. Puzzle of Olympia, The, 65–106 Foster, Hal, 62 Foster, Helen, 45 Foucault, Michel, 15 France and slavery, 55 Colonies; slavery, 4, 6, 10, 34–35, 61 Colonies; slavery revolt, Saint-Domingue (Haiti), 30 Estates General, 5 Franco-Prussian War (1870) influence on fetus motif, 155 |
| French
Academy. See Académie Royale de Peinture et de Sculpture
French Revolution, 5, 10 allegories of, 15, 35 and feminism, 25, 54 Phrygian cap and, 43, 49–54 Reign of Terror, 25 French Symbolists. See Symbolist Frères, Erwin Mlle Belangér [illustration] (fig. 14), 101 From Eugene Delacroix to Neo-Impressionism (Signac), 151 Fry, Roger, 151 Galleria degli Uffizi (Florence), 79, 104 Gallery of the Last Few Days (Jellenta), 131 Garnham, Trevor views on Lethaby, 189–90, 191–92 William Lethaby and the Problem of Style in late Nineteenth Century English Architecture, 189 Gautier, Marguerite. See Dumas, Alexandre, fils: La dame aux camélias Gautier, Théophile, 74 Gaze, the feminist theories of, 41–42, 55–62 of portrait’s subject, 57, 86–87 gender. See also body (female); feminist movement; French Revolution: Phrygian cap and; neoclassicism: gender and; race; social classes; Gaze, the; colonialism allegorical treatments of, 7, 10, 34, 36–48, 52–54 artistic representation of, 1–64 courtesans with black women, 77 definitions of, 15 genre and, 17, 21 of artists, 16, 19, 54 patriarchy, 7–8, 23, 38, 55–57, 61, 64 politics and, 3, 33, 35 Gérard, Marguerite, 2 Géricault, Théodore, 1 German Missionary Work Among the Pomeranian Slavs (Gerson) [illustration] (fig. 8), 147 Gerson, Wojciech, 142, 141–42, 147 Works German Missionary Work Among the Pomeranian Slavs [illustration] (fig. 8), 147 Village Church, A [illustration] (fig. 7), 147 Giorgione, 79 Girodet de Roucy-Trioson, Anne-Louis Portrait du Citoyen Belley, ex-représentant des colonies, 10–11 Portrait du Citoyen Belley, ex-représentant des colonies [illustration] (fig. 4), 10 Goldberg, David Theo, 15 Golgonooza on the Grand Canal: Ruskin’s Stones of Venice and the Romantic Imagination (Gurewitsch), 222 |
Goncourt
(Huot de), Edmond Louis Antoine et Jules Alfred, 98 Gorski, Konstanty Marian text accompaniment to Weiss’s Portrait of Feliks Jasieński [illustration] (fig. 3), 121 Gouges, Olympe de, 25–30, 33 Déclaration des droits de la femme (Declaration of the Rights of Woman), 27 executed, 25 Grand dictionnaire universel du XIXe siècle (Larousse), 85 Gurewitsch, Susan Golgonooza on the Grand Canal: Ruskin’s Stones of Venice and the Romantic Imagination, 222 Guyomar, Pierre, 30–31 Partisan de l’Egalité politique entre les individus, 30–31 Haiti, 30 Hamilton, George Heard, 67 headdress (African), 1. See also French Revolution; Phrygian cap and as symbol of racial otherness, 43–45 as symbol of women’s labor, 45–47 headwrap, American South, 46 headwrap, Caribbean, 46 origins and function of, 45–46 reflection of class, 48 used by Slaves, 43–47 worn by women artists, 47 Heyd, Milly views on Beardsley, 174 Histoire des peintres de toutes les écoles (Blanc), 104 Holder, Julian Architecture, Mysticism and Myth and its influence, 189 House, John Manet and the Demoralized Viewer, 80 human abnormalities and imaginationists, 161-63 and women, 161-63 represented by Edward Scissorhands, 172 Huot, Marie, 159 Huysmans, J. K. (Joris-Karl), 86 Hydropathes, 167 Idyll (Pruszkowski) [illustration] (fig. 9), 147 imaginationists, 161-63 Impressionism (Art), 126, 142 Incipit Vita Nova (Beardsley), 178 Incipit Vita Nova (Beardsley) [illustration] (fig. 12), 178 Ingres, Jean Auguste Dominique Monsieur Bertin, 86 Inheritance (Munch), 181 Innocence Between Virtue and Vice (Benoist), 20 Jalabert, Charles Odalisque, The, 77 |
| Jasieński,
Feliks, 116, 131, 132, 137, 139, 146 and Polish Art (Sztuka Polska), 107, 117, 124, 140 and the National Museum, Krakow, 123 background, 112–14 personal collection, 112–13, 123 Salon, 113 Jay, Martin, 59 Jellenta, Cezary Gallery of the Last Few Days, 131 jewelry significance of in paintings, 81 Journal des débats, 17 Journal des femmes (published by Martin), 159 Kopera, Feliks and Polish Art (Sztuka Polska), 140 director, National Museum, Krakow, 140 Korshak, Yvonne, 50–51 Krakow Academy of Fine Arts, 109 Krakow Art Academy, 115, 136 Krakow School of Fine Arts, 127 Krakow Society of Friends of Fine Arts, 113 Krell, Alan, 80 Krywult, Aleksander Salon, 129 Kulikowski, Stefan Salon, 129 La dame aux camélias (Dumas, fils), 84–85, 89–90, 93, 94 La fille des îles (Astruc), 71–73, 91–92 La Nature, 154 Labille-Guiard, Adélaïde, 2 Lang, Andrew Myth, Ritual and Religion, 215 Larousse, Pierre Grand dictionnaire universel du XIXe siècle, 85 L’Assiette au beurre, 168 publisher of Léandre’s illustrations, 168 Le Bain (Manet). See Le déjeuner sur l’herbe Le Charivari, 155 Le déjeuner sur l’herbe (Manet), 65, 67, 70, 79–81, 93 Le déjeuner sur l’herbe (Manet) [illustration] (fig. 2), 65 Le Figaro, 155 Le Foetus (Mossa) [illustration] (fig. 9), 172 Le Rire publisher of Somm’s illustrations, 167 Le Systeme du Docteur Forceps (Mossa) [illustration] (fig. 8), 172 Léandre, Charles, 172 illustrations of human abnormalities in L’Assiette au beurre, 168–71 use of fetus motif, 152 Works Man. King of the Animals in his Principal Transformations, 171 |
Monstres de la société, Les [illustration]
(fig. 7), 168 Paris, 171 Leboeuf, Julie Marie. See Bellanger, Marguerite L’Emancipation de la Femme, (Beauduin) [illustration] (fig. 3), 156 Leroulx-Delaville, Joseph, 5 Leroulx-Delaville, Marie-Guillemine. See Benoist, Marie Guilhelmine Leroulx-Delaville, René, 5 Leroux-Delaville, Marie-Guillemine. See Benoist, Marie Guilhelmine Leroy-Beaulieu, Paul, 157 Les courtisanes du Second Empire ([Léopold Stapleaux?], 80, 94 Les fleurs du mal (Baudelaire), 78 Les foetus (repertoire) (Mac-Nab), 167 Lethaby, William Richard “temple idea”, 184–85, 193, 194–99, 211, 213–14, 239, 240–42 “temple idea” and De la Saussaye, 213 archives. See Saint Martin’s Art and Design Archive, London influences Rig Vega, 206 Ruskin, 184, 190–92, 239 Spencer, 200 philosophical uncertainty, 186–89 universality of “imagined” facts, 207–10 Works Architecture and Myth, 215 Architecture, Mysticism and Myth, 184, 190–206, 240, 242 Architecture, Mysticism and Myth, [illustration] [title page] (fig. 1), 184 Architecture, Mysticism and Myth: objective of the work, 207–10 Architecture, Nature and Magic: reviews, 188 Architecture, Nature and Magic; revision of Architecture, Mysticism and Myth, 186 What Shall we call Beautiful, 241–42 Lettre sur la situation des Beaux-Arts en France (Neergaard), 22 Life (Źycie), 115 Life and Work of William Richard Lethaby, The (Rubens), 189 Life of Titian (Northcote), 105 Literary Repast, The (Biesiada Literacka) reviews of Polish Art (Sztuka Polska), 125 L’Oeil, 81 Louis XVI, King of France, 5 Lucian of Samosata True History, 177 Lucian’s Strange Creatures (Beardsley) [illustration] (fig. 11), 177 Lvov Society of the Friends of Fine Arts, 139 |
| Mac-Nab,
Maurice Les foetus (repertoire), 167 Mademoiselle de Clermont at Her Bath Attended by Slaves (Nattier), 7 Mademoiselle de Clermont at Her Bath Attended by Slaves (Nattier) [illustration] (fig. 2) (fig. 3, detail), 7 Madonna (Munch), 179, 180 Madonna (Munch) [illustration] (fig. 13), 177 Madonna in a Graveyard (Munch), 181 Mainardi, Patricia Salon and Politics of the Second Empire, The, 106 Maison de l’Art Nouveau, Paris (Siegfried Bing), 180 Man. King of the Animals in his Principal Transformations (Leandre), 171 Manet and the Demoralized Viewer (House), 80 Manet, Edouard Le déjeuner sur l’herbe, 65, 67, 70, 79–81, 93 Le déjeuner sur l’herbe [illustration] (fig. 2), 65 Le déjeuner sur l’herbe; also titled Le bain, 80 Mocking of Christ, The, 105, 106 Olympia, 65–106 Olympia [illustration] (fig. 1), 65 Portrait of Zola, 81 Study for Olympia, 89, 101 Study for Olympia [illustration] (fig. 9), 87 Marguerite Bellanger (Carrier-Belleuse) [illustration] (fig. 15), 101 Marguerite Bellanger (Delton & Co.) [illustration] (fig. 12), 94 Marie Antoinette, Queen of France executed, 25 Martin, Maria publisher, Journal des femmes, 159 Matejko, Jan, 143, 146–47 Prussian Oath, The, 146 Prussian Oath, The [illustration] (fig. 6), 146 McLaren, Angus Sexuality and Social Order, 160 Mehoffer, Józef, 136 cover page of Polish Art (Sztuka Polska) [illustration] (fig. 4), 136 Meier-Graefe, Julius History of the Development of Modern Art, The, 151 Menon, Elizabeth K. Anatomy of a Motif: The Fetus in Late 19th-Century Graphic Art, 152–83 Meurent, Victorine, 80 Michałowski, Piotr, 141 misogyny, 34 in 19th century French art, 165 Mlle Belangér (Frères) [illustration] (fig. 14), 101 Mlle De Clermont en Sultane (Nattier), 77 Mocking of Christ, The (Manet), 105, 106 Modern Painters (Ruskin), 216, 222–23, 232–36 |
Modernism
(Aesthetic), 15 Poland, 113 Modernism (Art), 126–31 and the art market, 111 and the Polish canon, 130–31 Poland, 109, 112, 113, 124, 126–29, 146–48 modernizm. See Modernism (Art): Poland Mogador (French courtesan), 102 Moi libre aussi (man) (Boizot), 49 Moi libre aussi (man) (Boizot) [illustration] (fig. 9), 49 Moi libre aussi (woman) (Boizot), 49 Moi libre aussi (woman) (Boizot) [illustration] (fig. 10), 49 Mongez, Angélique, 2, 23 Monsieur Bertin (Ingres), 86 Monster of Monsters, The. See Les Monstres de la société (Léandre) Monster-mongers and other Retailers of strange sights (Swift), 173 Monstres de la société, Les (Léandre) [illustration] (fig. 7), 168 Montesquieu, Charles de Secondat, baron de, 30 Morel, Benedict “hereditary degeneration” theory, 157 Mossa, Gustav Adolph. See Mossa, Gustav Adolphe Mossa, Gustav Adolphe use of fetus motif, 152, 172 Works Le Foetus [illustration] (fig. 9), 172 Le Systeme du Docteur Forceps [illustration] (fig. 8), 172 Mossa, Gustav-Adolphe. See Mossa, Gustav Adolphe Moulin, F. J. A.. See Moulin, Jacques Antoine Moulin, Jacques Antoine erotic photography, 77 plate from Etudes Photographiques [illustration] (fig. 6), 75 mummified foetus (Crémière), 179 mummified foetus (Crémière) [illustration] (fig. 14), 177 Munch Museet, Oslo, 179, 181 Munch, Edvard and Symbolist, 179 use of fetus motif, 152, 173, 179 viewed by Eggum, 180 viewed by Strindberg, 180 Works Inheritance, 181 Madonna, 179, 180 Madonna [illustration] (fig. 13), 177 Madonna in a Graveyard, 181 Musée des beaux-arts (Nice, France). See Musée des beaux-arts Jules Chéret Musée des beaux-arts Jules Chéret, 172 Musée du Louvre, Paris, 1 |
| Musée
Dupuytren, Paris, 152, 154 collection of fetal specimens, 152, 154 Museum National d’Histoire Naturelle, Paris, 177 Mycielski, Jerzy One Hundred Years of Painting in Poland, 1760-1860, 110 Myth, Ritual and Religion (Lang), 215 Napoleon III and his Carnival Empire (Bierman), 99 Napoleon III and the Women he Loved (Fleischmann), 95–96 Napoleon III, Emperor of the French, 4 affair with Marguerite Bellanger, 94, 95–100 Code Napoléon, 4 elimination of women’s rights, 27 patron of the arts, 106 National Gallery of Art, Washington D.C., Epstein Collection, 177 National Museum, Krakow, 113, 114, 139, 140, 148 and Jasieński, 123 F. Jasieński Section (Oddział Muz. Nar. Im. F. Jasieńskiego), 123 nationalism in art, 15, 136, 144 nationalism. France, 15, 24 Poland, 122, 128, 129, 136, 142, 144 Nattier, Jean-Marc Mademoiselle de Clermont at Her Bath Attended by Slaves, 7 Mademoiselle de Clermont at Her Bath Attended by Slaves (detail) [illustration] (fig. 3), 7 Mademoiselle de Clermont at Her Bath Attended by Slaves [illustration] (fig. 2), 7 Mlle De Clermont en Sultane, 77 Natural History Museum, Paris collection of fetal specimens, 154, 179 Neergaard, Bruun Lettre sur la situation des Beaux-Arts en France, 22 views on Leroulx-Delaville (Benoist), 22 Neoclassicism (Art), 20–23, 33, 38, 53 Nietzsche, Friedrich Thus Spake Zarathustra, 137 Nordau, Max, 180 Northcote, James Life of Titian, 105 nudes 19th century, 65–106 obscenity and artistic works, 78 Odalisque, The (Jalabert), 77 Olympia (Manet), 65–106 significance of the name, 71 Olympia (Manet) [illustration] (fig. 1), 65 One Hundred Years of Painting in Poland, 1760-1860 (published by Mycielski), 110 Orientalism. See race: exoticization of |
Other
(philosophy). See racial Other Our Art and Criticism (Witkiewicz), 131 Ozy, Alice model for Sleeping Bather (Chasserieau), 102 Painters, French. 18th century, 2, 7 Painters, French. 19th century, 2 Painters, Polish, 107, 109–11, 124–25, 139, 142–48 Painters, Polish. 19th century, 122 Painting, Polish. 19th century, 107, 109–11, 124–25, 142–48 Palace of Art, 113 Palais des Champs-Elysées, 68 Palfyn, Jean, 161 Paré, Ambroise, 161 Parent-Duchâtelet, Alexandre, 74 Paris (Leandre), 171 Paris s’amuse, 156 Parisienne and her Effects, The (Somm) [illustration] (fig. 5), 166 Partie carrée. See Le déjeuner sur l’herbe Partisan de l’Egalité politique entre les individus (Guyomar), 30–31 patriarchy. See gender: patriarchy patronage of artists, 106 Peace Bringing Back Abundance (Vigée-Lebrun), 37 Peace Bringing Back Abundance (Vigée-Lebrun) [illustration] (fig. 7), 37 Pearl and the Wave (Baudry), 102, 106 Petit, Gabrielle, 159 phallocentrism. See gender: patriarchy Photograph of medical specimen (Crémière) [illustration] (fig. 1), 152 Photograph of medical specimen (Crémière) [illustration] (fig. 2), 154 Physiologie de l’amour moderne (Bourget), 162 Physiologie du bas-bleu (Soulié), 161 vignette illustration by Vernier (fig. 4), 161 physiologies. See nudes Piątkowski, Henryk Contemporary Polish Painting, 131 Podkowiński, Władysław, 142, 141–42 and Feliks Jasieński, 112 and Impressionism (Art), 112 and Symbolism (Art), 112 Ecstasy, The, 112 Ecstasy, The [illustration] (fig. 2), 112 Polish Art (Sztuka Polska), 110, 113, 115, 116, 117, 123, 124, 136, 148 [illustration] Year I, no. 10, pl. 42, (fig. 6), 146 Year I, no. 4, p. 16, (fig. 3), 121 Year I, no. 5, pl. 21, (fig. 7), 147 Year I, no. 7, pl. 25, (fig. 10), 147 Year II, no. 15, index (fig. 5), 139 Year I-II, nos. 1-15, cover, (fig. 4), 136 bias, 110–12, 126, 138–39, 142, 145, 149, 148–51 |
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defined
Polish canonical art, 150 design, 107, 108–9, 117–21, 133–37, 144, 143–44, 149 essayists, 139 first edition, 114, 120 marketing strategy, 130, 133–35 omission of artists, 111, 150. See also Siemieradzki, Henryk; Simmler, Józef; Brandt, Józef; Boznańska, Olga second edition, 118, 149 Polish Art. Painting. 65 Reproductions of Works by the Foremost Masters of Polish Painting. See Polish Art (Sztuka Polska) Pollock, Griselda, 8, 41–42, 44 Portrait du Citoyen Belley, ex-représentant des colonies (Girodet de Roussy-Trioson), 10–11 Portrait du Citoyen Belley, ex-représentant des colonies (Girodet de Roussy-Trioson) [illustration] (fig. 4), 10 Portrait of Madame Charle-Louis Trudaine (David), 20 Portrait of Mme. D’Aguesseau (Vigée-Lebrun), 37 Portrait of Zola (Manet), 81 portraits allegories in, 1-64, 65-106 Printmakers. France use of fetus motif, 165 Prix de Rome, 18 prizes (art). See individual prize names prostitutes and social class, 69, 74–75, 80, 93 artistic representation of, 65–106 noms de guerre, 74, 94 symbol of sexuality, 69 Proudhon, Pierre-Joseph, 102 Proust, Antonin, 79 Prussian Oath, The (Matejko), 146 Prussian Oath, The (Matejko) [illustration] (fig. 6), 146 Pruszkowski, Witold, 147 Works Idyll [illustration] (fig. 9), 147 Vision, A, 147 Vision, A [illustration] (fig. 10), 147 Przybyszewki, Stanisław editor, Life (Źycie), 115 Psychologues (Somm), 167 race. See also gender; slavery; social classes aestheticization of, 40 allegorical use of, 34–54 artistic representations of, 1–64 black women in art as servants, 6, 7, 11, 36, 75–77 definitions of, 14–15 exoticization of, 8, 10, 44–45, 59, 63 hierarchies of, 13 politics and, 35 |
relationship
to social class, 3, 6, 9, 21, 26, 55–57 sexualization of black women, 39, 77 racial Other, 8, 9, 10, 16, 36, 60 Redon, Odilon, 174 Reff, Theodore, 70, 82, 105 Reign of Terror. See French Revolution: Reign of Terror Renard, Jules, 155 revival Classical, 9, 20, 34, 38, 51–52, 102. See also Neoclassicism (Art) Rhetoric of Temporality, The (De Man), 227–28 Rig Veda influence on Lethaby, 206 Robin, Pierre collection of fetal specimens, 154 Roger-Milès, Léon on Henry Somm, 165 Romans of the Decadence (Couture), 102 Romantic theory of the Imagination, 218–22 Rose, Jacqueline, 56 Rousseau, Jean-Jacques, 28, 30 Rubens, Godfrey Life and Work of William Richard Lethaby, The, 189 William Richard Lethaby, His Life and Works 1857-1931, 192 Runge, Otto Sigismund, 174 Ruskin on the Imagination (Sprinker), 229–30, 232 Ruskin, John, 240 correspondence to Brown, 216–17 influence on Lethaby, 184, 190–92 on Imagination, 232 on Imagination and Fancy, 215–20. see also Coleridge, Samuel Taylor paradoxical thinking, 237–39 role of the artefact, 233 Works Modern Painters, vol. 2, 216, 222 Modern Painters, vol. 4, 222–23 Modern Painters, vol. 5, 232–36 Stones of Venice, vol. 1-3, 216, 222 Three Colours of Pre-Raphaelistism, The, 232 Saint Martin’s Art and Design Archive, London, 215 Saint-Hilaire, Geoffroy de collection of fetal specimens, 154. See also Natural History Museum, Paris Salon and Politics of the Second Empire, The (Mainardi), 106 Salons (art), 7, 102, 106, 113, 129. See also Krywult, Aleksander; Kulikowski, Stefan; Jasieński, Feliks catalogues, 91 female artists and, 61 Salon Ars, 129 Salon des Réfusés, 67 Salon Frista, 129 |
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Salon livret, 71 Salon of 1791, 20 Salon of 1850, 102 Salon of 1863, 67, 80, 106 Salon of 1865, 67, 65–69, 75, 87, 91, 105–6 Sarnecki, Zygmunt Salon. See Salons (art). Salon Ars Sculpture, French. 19th century, 36 Self Portrait as bottled fetus (Somm), 167 Self Portrait as bottled fetus (Somm) [illustration] (fig. 6), 167 Self-Portrait (Vigée-Lebrun), 47 Self-Portrait (Vigée-Lebrun) [illustration] (fig. 8), 47 sexes. See gender Sexuality and Social Order (McLaren), 160 Siemieradzki, Henryk omitted from Polish Art (Sztuka Polska), 111 Signac, Paul From Eugene Delacroix to Neo-Impressionism, 151 Simmler, Józef omitted from Polish Art (Sztuka Polska), 111 slavery. See also colonialism, gender, race, social classes abolition, 4, 49 allegorical treatment of, 11, 35–54 artistic representation of, 7, 1–64 conditions of, 10, 34–35 France and French law, 6 colonies and, 4, 6, 49, 61 debates on, 3, 12–15, 25, 30 emancipation, 4 reinstatement, 4 revolt, Saint-Domingue (Haiti), 30, 49 women as analogous to, 3, 4, 23–27, 30, 32, 58, 64 Small, James Slavery is a Woman: “Race,” Gender, and Visuality in Marie Benoist’s Portrait d’une négresse, 1–64 social classes artistic representation of, 69, 75, 80, 93 social classes and nationalism, 15. See also gender: relationship to social class; race: relationship to social class aesthetic tastes of, 7, 25 and racial Other, 6, 9 gender and, 2–3, 6, 9, 26, 54–55 hierarchies of, 13 of women artists, 3, 15–17 represented in art, 8, 16, 55 stereotypes of, 16 Société des Amis des Noirs, 30, 32, 33. See also abolitionists, French Société des artistes français. See Academie Royale de Peinture et de Sculpture |
Société
Nationale des Beaux Arts. See Academie Royale de Peinture et de
Sculpture Somm, Henry, 165–68 alcoholism, 167, 183 in Symbolist movement, 152, 165 use of fetus motif, 152, 165–67, 183 viewed by Roger-Milès, 165 Works Parisienne and her Effects, The [illustration] (fig. 5), 166 Psychologues, 167 Self Portrait as bottled fetus, 167 Self Portrait as bottled fetus [illustration] (fig. 6), 167 Sommier, François-Clément. See Somm, Henry Soulié, Frédéric Physiologie due bas-bleu, 161 Spencer, Herbert, 210 influence on Lethaby, 200 Spivak, Gayatri, 39 Sprinker, Michael Ruskin on the Imagination, 229–30, 232 Staël, Germaine de. See Staël, Madame de (Anne-Louise-Germaine) Staël, Madame de (Anne-Louise-Germaine), 26 Stones of Venice (Ruskin), 216, 222 Strindberg, Arthur, 180 Sur l’admission des femmes au droit de cité (On the Admission of Women to Civil Rights) (Condorcet), 30 Swift, Jonathan Monster-mongers and other Retailers of strange sights, 173 Symbolism (Art), 126 Symbolist and Beardsley, 173 and Munch, 179 and Somm, 152, 165 use of fetus motif, 152, 153, 164, 181, 183 Taine, Hippolyte Voyage en Italie, 104 Thévenin, Charles, 14, 40 thinness sexuality and, 93, 94 Three Colours of Pre-Raphaelitism, The (Ruskin), 232 Times review of Architecture, Nature and Magic, 188 Titian, 106 Christ Crowned with Thorns, 105 Venus of Urbino, 79, 103–5 Toulmouche, Auguste Avant le bal, 81 Avant le bal [illustration] (fig. 7), 81 Towarzystwo Artystów Polskich “Sztuka”, 109, 113, 115, 124, 126, 128–30, 138, 148, 150 |
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History (Lucian of Samosata), 177 Turquan, Victor Contribution à l’étude de la population et de la dépopulation, 155 Vacher de Lapouge, G., 157 Valéry, Paul, 69 Vallayer-Coster, Anne, 2 Vallayer-Coster, Dorothee Anne. See Vallayer-Coster, Anne van der Plaat, Deborah Significance of the “temple idea” in William Lethaby’s Architecture, Mysticism and Myth, 184–242 Veccellio (Vecelli), Tiziano. See Titian Venus as symbol in art, 89, 102, 106 Venus of Urbino (Titian), 79, 103–5 c omparisons with Manet’s Olympia, 104 Venus Pudica, 42 Vermorel, Auguste-Jean-Marie Ces dames, 75–76, 83–84, 87–88, 93 Vernier, Charles (?) plate from Actualités [illustration] (fig. 10)., 94 Vernier, Jules vignette illustration for Frédéric Soulié, Physiologie du Bas-bleu [illustration] (fig. 4), 161 Vestal Brown, Charlotte Architecture as Process, Implications for a Methodology of History and Criticism, 191 views on Lethaby, 191–92 Victoria and Albert Museum, London, 177 Vigée-Lebrun, Elisabeth Louise, 2, 21 mentor to Benoist, 19 Peace Bringing Back Abundance, 37 Peace Bringing Back Abundance [illustration] (fig. 7), 37 Portrait of Mme. D’Aguesseau, 37 Self-Portrait, 47 Self-Portrait [illustration] (fig. 8), 47 Village Church, A (Gerson) [illustration] (fig. 7), 147 Villiers de l’Isle-Adam, Auguste Claire Lenoir, 161 Vincent, Mme. Adélaïde des Vertus. See Labille-Guiard, Adélaïde Vindication of the Rights of Woman, A (Wollstonecraft), 27–28 Vision, A (Pruszkowski), 147 Vision, A (Pruszkowski) [illustration] (fig. 10), 147 Voltaire, 30 Voyage en Italie (Taine), 104 Warsaw Society for Encouragement of Fine Arts, 112–13 Week, The (Tydzień), 115 Weininger, Otto, 180 Weiss, Wojciech, 141, 143 |
Wende,
E., & Co. (Warsaw) bookseller, Polish Art (Sztuka Polska), 107 Weston, Helen, 10 White, Harrison and Cynthia, 122 William Lethaby and the Problem of Style in late Nineteenth Century English Architecture (Garnham), 189 William Richard Lethaby, His Life and Works (Rubens), 192 Witkiewicz, Stanisław Our Art and Criticism, 131 Wollstonecraft, Mary, 27–30 Vindication of the Rights of Woman, A, 27–28 women. See also feminist movement; women artists; women painters and human abnormalities, 161-63 and the Enlightenment, 161 executed, 25 France; social conditions, 18th century, 2, 4 France; social conditions, 19th century, 2 human abnormalities blamed on women, 161–63 women artists, 23. See also women; women painters France; social conditions, 18th century, 2 France; social conditions, 19th century, 2 women painters. See also women; women artists France, 2 Poland, 150 Work of Art in the Age of Photomechanical Reproduction, The (Benjamin), 117 Wyspiański, Stanisław, 115 Young Poland (Młoda Polska), 113 Young, Robert, 59 Zatlin, Linda views on Beardsley, 176 Zola, Emile Aux mères heureuses, 155 |