| ILS-531
Indexing & abstracting |
©2005
Amy Proni and Susanna Cowan |
| Abstract analysis |
Main index |
| Special project: index for NCAW |
Thesaurus review |
| Notes on presentation | ||||
| Combined index |
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| Index: Smalls |
Index: Floyd |
Index: Brzyski |
Index: Menon |
Index: van der Plaat |
Individual indexes for each article. These individual indexes are intended to make our index usable. Although we have yet to hear back from the editor of Nineteenth-Century Art Worldwide, we still have hopes that she will respond and express interest in the work we have done. These individual indexes could be “attached” to each article for the use of journal readers and wouldn’t require the publisher to create a full-fledged online index for the entire journal. Our aim in providing two formats is to provide the greatest flexibility for the potential use of this index. Whereas the cumulative index can be viewed as a stand-alone object; the individual indexes can be viewed as guides intended to be used with particular articles.
| The
following index is for the article by James Smalls: Slavery is a
Woman. (NCAW, vol. 3, no.
1, article 1) Note: index “page” numbers are actually references to paragraphs, as each article is composed of consecutively arranged paragraphs. A abolitionists, French, 30. See also Société des Amis des Noirs; slavery Académie Royale de Peinture et de Sculpture (Paris), 20 women’s admittance to, 18 Academy Française. See Académie Royale de Peinture et de Sculpture aestheticism in contrast to the political, 11 politics of, 63 Africa (Delaplanche), 36 Africa (Delaplanche) [illustration] (fig. 6), 36 Africanism. See race: exoticization of Afrique, or Why Be Born a Slave? (Carpeaux), 36 Afrique, or Why Be Born a Slave? (Carpeaux) [illustration] (fig. 5), 36 allegory. See under body (female); gender; race; portraits; slavery Amazons, 38. See also body (female) Angiviller, Charles Claude de La Billarderie, comte d’, 18 director, Académie Royale de Peinture et de Sculpture (Paris), 18 Arouet, François-Marie. See Voltaire art critics Boutard, Jean-Baptiste: on Benoist, 14 Esménard, Joseph-Etienne: on Benoist, 22 Neergaard, Bruun: on Leroulx-Delaville (Benoist), 22 praise Portrait d’une négresse (Benoist), 7 Thévenin, Charles: on Benoist, 14 Art, European. 19th century standard reprensentation of blacks, 7 Art, French. See also Sculpture, French; Painting, French; Painters, French; women artists; women painters exhibitions. See also Salons (art) Exposition de la Jeunesse (Paris), 19–20 Art, Rococo, 19, 21, 23 Aubert du Bayet, Jean Baptiste Annibal, 30 B Belley, Jean Baptiste, 10–11 Benoist, Marie Guilhelmine, 1 background, 5 Benoist, Pierre-Vincent (husband), 5 early works, 7, 19 instructed by David, 19 Leroulx-Delaville, Joseph (uncle), 5 Leroulx-Delaville, René (father), 5 mentored by Vigée-Lebrun, 19 royalist connections, 5 viewed by art critics, 22 Works Clarissa Harlowe at the Archers, 20 Farewell of Psyche, 20 Innocence Between Virtue and Vice, 20 Portrait d’une negresse, 1–64 Portrait d’une negresse [illustration] (fig. 1), 1 Portrait d’une négresse praised by critics, 7 Benoist, Marie-Guillemine. See Benoist, Marie Guilhelmine Benoist, Pierre-Vincent background, 5 body (female) Amazons, 38 and racism and exoticism, 40 as political allegory, 36–38 eroticism of, 36–39 Boizot, Simon-Louis Moi libre aussi (man), 49 Moi libre aussi (man) [illustration] (fig. 9), 49 Moi libre aussi (woman), 49 Moi libre aussi (woman) [illustration] (fig. 10), 49 Boutard, Jean-Baptiste, 14, 17, 40 Brissot de Warville, J.-P. (Jacques-Pierre), 30 C Caravaggio, Michelangelo Merisi da, 59 Carpeaux, Jean-Baptiste Afrique, or Why Be Born a Slave?, 36 Afrique, or Why Be Born a Slave? [illustration] (fig. 5), 36 |
C
(continued) Citoyen Belley. See Belley, Jean Baptiste Clarissa Harlowe at the Archers (Benoist), 20 class (social). See social classes Classical. See revival: Classical colonialism, 8–10 and feminism. See also race: allegorical use of Condorcet, Jean-Antoine-Nicolas de Caritat, marquis de, 30, 33 Sur l’admission des femmes au droit de cité (On the Admission of Women to Civil Rights), 30 D David, Jacques-Louis, 1, 19–20, 21–22 influence on women artists, 19–23 instructed Benoist, 19 Portrait of Madame Charle-Louis Trudaine, 20 David, Louis. See David, Jacques-Louis de Flahaut de la Billarderie, Charles Claude See Angiviller, Charles Claude de La Billarderie, comte d’, 18 Déclaration des droits de la femme (Declaration of the Rights of Woman) (Gouges), 27 Delacroix, Eugène, 1 Delaplanche, Eugène Africa, 36 Africa [illustration] (fig. 6), 36 Dialogics, 9, 60 Diderot, Denis, 30 Doy, Gen, 40, 54 Duras, Claire de. See Duras, Claire de Durfort, duchesse de Duras, Claire de Durfort, duchesse de, 26 E Esménard, Joseph-Etienne, 22 ethnography, 34, 36, 38 Exposition de la Jeunesse (Paris), 19, 20. See also Art, French. 19th century: exhibitions; Salons (art) F Farewell of Psyche (Benoist), 20 feminist movement, 30 artistic representation of, 22, 25–64 France, 4 and backlash, 32 France and England, 27 in 19th century France, 25, 26, 54 Foster, Hal, 62 Foster, Helen, 45 Foucault, Michel, 15 France and slavery, 55 Colonies; slavery, 4, 6, 10, 34–35, 61 Colonies; slavery revolt, Saint-Domingue (Haiti), 30 Estates General, 5 French Academy. See Académie Royale de Peinture et de Sculpture French Revolution, 5, 10 allegories of, 15, 35 and feminism, 25, 54 Phrygian cap and, 43, 49–54 Reign of Terror, 25 G Gaze, the feminist theories of, 41–42, 55–62 of portrait’s subject, 57 gender. See also body (female); feminist movement; French Revolution: Phrygian cap and; neoclassicism: gender and; race; social classes; Gaze, the; colonialism allegorical treatments of, 7, 10, 34, 36–48, 52–54 artistic representation of, 1–64 definitions of, 15 genre and, 17, 21 of artists, 16, 19, 54 patriarchy, 7–8, 23, 38, 55–57, 61, 64 politics and, 3, 33, 35 Gérard, Marguerite, 2 Géricault, Théodore, 1 Girodet de Roucy-Trioson, Anne-Louis Portrait du Citoyen Belley, ex-représentant des colonies, 10–11 Portrait du Citoyen Belley, ex-représentant des colonies [illustration] (fig. 4), 10 Goldberg, David Theo, 15 |
| G
(continued) Gouges, Olympe de, 25–30, 33 Déclaration des droits de la femme (Declaration of the Rights of Woman), 27 executed, 25 Guyomar, Pierre, 30–31 Partisan de l’Egalité politique entre les individus, 30–31 H Haiti, 30 headdress (African), 1. See also French Revolution; Phrygian cap and as symbol of racial otherness, 43–45 as symbol of women’s labor, 45–47 headwrap, American South, 46 headwrap, Caribbean, 46 origins and function of, 45–46 reflection of class, 48 used by Slaves, 43–47 worn by women artists, 47 I Innocence Between Virtue and Vice (Benoist), 20 J Jay, Martin, 59 Journal des débats, 17 K Korshak, Yvonne, 50–51 L Labille-Guiard, Adélaïde, 2 Leroulx-Delaville, Joseph, 5 Leroulx-Delaville, Marie-Guillemine. See Benoist, Marie Guilhelmine Leroulx-Delaville, René, 5 Leroux-Delaville, Marie-Guillemine. See Benoist, Marie Guilhelmine Lettre sur la situation des Beaux-Arts en France (Neergaard), 22 Louis XVI, King of France, 5 M Mademoiselle de Clermont at Her Bath Attended by Slaves (Nattier), 7 Mademoiselle de Clermont at Her Bath Attended by Slaves (Nattier) [illustration] (fig. 2) (fig. 3, detail), 7 Marie Antoinette, Queen of France executed, 25 misogyny, 34 Modernism (Aesthetic), 15 Moi libre aussi (man) (Boizot), 49 Moi libre aussi (man) (Boizot) [illustration] (fig. 9), 49 Moi libre aussi (woman) (Boizot), 49 Moi libre aussi (woman) (Boizot) [illustration] (fig. 10), 49 Mongez, Angélique, 2, 23 Montesquieu, Charles de Secondat, baron de, 30 Musée du Louvre, Paris, 1 N Napoleon III, Emperor of the French, 4 Code Napoléon, 4 elimination of women’s rights, 27 nationalism France, 15, 24 in art, 15 Nattier, Jean-Marc Mademoiselle de Clermont at Her Bath Attended by Slaves, 7 Mademoiselle de Clermont at Her Bath Attended by Slaves (detail) [illustration] (fig. 3), 7 Mademoiselle de Clermont at Her Bath Attended by Slaves [illustration] (fig. 2), 7 Neergaard, Bruun Lettre sur la situation des Beaux-Arts en France, 22 views on Leroulx-Delaville (Benoist), 22 Neoclassicism (Art), 20–23, 33, 38, 53 O Orientalism. See race: exoticization of Other (philosophy). See racial Other P Painters, French. 18th century, 2, 7 Painters, French. 19th century, 2 Partisan de l’Egalité politique entre les individus (Guyomar), 30–31 patriarchy. See gender: patriarchy Peace Bringing Back Abundance (Vigée-Lebrun), 37 Peace Bringing Back Abundance (Vigée-Lebrun) [illustration] (fig. 7), 37 phallocentrism. See gender: patriarchy Pollock, Griselda, 8, 41–42, 44 Portrait du Citoyen Belley, ex-représentant des colonies (Girodet de Roussy-Trioson), 10–11 Portrait du Citoyen Belley, ex-représentant des colonies (Girodet de Roussy-Trioson) [illustration] (fig. 4), 10 Portrait of Madame Charle-Louis Trudaine (David), 20 Portrait of Mme. D’Aguesseau (Vigée-Lebrun), 37 portraits allegories in, 1–64 Prix de Rome, 18 prizes (art). See individual prize names |
R race. See also gender; slavery; social classes aestheticization of, 40 allegorical use of, 34–54 artistic representations of, 1–64 black women in art as servants, 6, 7, 11, 36 definitions of, 14–15 exoticization of, 8, 10, 44–45, 59, 63 hierarchies of, 13 politics and, 35 relationship to social class, 3, 6, 9, 21, 26, 55–57 sexualization of black women, 39 racial Other, 8, 9, 10, 16, 36, 60 Reign of Terror. See French Revolution: Reign of Terror revival Classical, 9, 20, 34, 38, 51–52. See also Neoclassicism (Art) Rose, Jacqueline, 56 Rousseau, Jean-Jacques, 28, 30 S Salons (art), 7 female artists and, 61 Salon of 1791, 20 Sculpture, French. 19th century, 36 Self-Portrait (Vigée-Lebrun), 47 Self-Portrait (Vigée-Lebrun) [illustration] (fig. 8), 47 sexes. See gender slavery. See also colonialism, gender, race, social classes abolition, 4, 49 allegorical treatment of, 11, 35–54 artistic representation of, 7, 1–64 conditions of, 10, 34–35 France and French law, 6 colonies and, 4, 6, 49, 61 debates on, 3, 12–15, 25, 30 emancipation, 4 reinstatement, 4 revolt, Saint-Domingue (Haiti), 30, 49 women as analogous to, 3, 4, 23–27, 30, 32, 58, 64 S Smalls, James Slavery is a Woman: “Race,” Gender, and Visuality in Marie Benoist’s Portrait d’une négresse, 1–64 social classes and nationalism, 15. See also gender: relationship to social class; race: relationship to social class aesthetic tastes of, 7, 25 and racial Other, 6, 9 gender and, 2–3, 6, 9, 26, 54–55 hierarchies of, 13 of women artists, 3, 15–17 represented in art, 8, 16, 55 stereotypes of, 16 Société des Amis des Noirs, 30, 32, 33. See also abolitionists, French Société des artistes français. See Academie Royale de Peinture et de Sculpture Société Nationale des Beaux Arts. See Academie Royale de Peinture et de Sculpture Spivak, Gayatri, 39 Staël, Germaine de. See Staël, Madame de (Anne-Louise-Germaine) Staël, Madame de (Anne-Louise-Germaine), 26 Sur l’admission des femmes au droit de cité (On the Admission of Women to Civil Rights) (Condorcet), 30 T Thévenin, Charles, 14, 40 V Vallayer-Coster, Anne, 2 Vallayer-Coster, Dorothee Anne. See Vallayer-Coster, Anne Venus Pudica, 42 Vigée-Lebrun, Elisabeth Louise, 2, 21 mentor to Benoist, 19 Peace Bringing Back Abundance, 37 Peace Bringing Back Abundance [illustration] (fig. 7), 37 Portrait of Mme. D’Aguesseau, 37 Self-Portrait, 47 Self-Portrait [illustration] (fig. 8), 47 Vincent, Mme. Adélaïde des Vertus. See Labille-Guiard, Adélaïde Vindication of the Rights of Woman, A (Wollstonecraft), 27–28 Voltaire, 30 W Weston, Helen, 10 Wollstonecraft, Mary, 27–30 Vindication of the Rights of Woman, A, 27–28 women. See also women artists; women painters executed, 25 France; social conditions, 18th century, 2, 4 France; social conditions, 19th century, 2 women artists, 23. See also women; women painters France; social conditions, 18th century, 2 France; social conditions, 19th century, 2 women painters. See also women; women artists France, 2 Y Young, Robert, 59 |